{"id":3282,"date":"2026-09-27T21:54:52","date_gmt":"2026-09-27T20:54:52","guid":{"rendered":"https:\/\/antelaeditorial.com\/?p=3282"},"modified":"2026-09-27T21:59:40","modified_gmt":"2026-09-27T20:59:40","slug":"travis-chen","status":"publish","type":"post","link":"https:\/\/antelaeditorial.com\/index.php\/2026\/09\/27\/travis-chen\/","title":{"rendered":"Travis Chen"},"content":{"rendered":"\n<p>Autor de c\u00f3mics e artista de animaci\u00f3n. Puca \u00e9 a s\u00faa primeira novela gr\u00e1fica, no seu traballo como animador incl\u00faense as pel\u00edculas The Bad Guys e Forgotten Island, ambas de Dreamworks, onde traballa na actualidade.<br>Creceu en Seattle, Washington, e actualmente reside en Los \u00c1ngeles, California.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Autor de c\u00f3mics e artista de animaci\u00f3n. Puca \u00e9 a s\u00faa primeira novela gr\u00e1fica, no seu traballo como animador incl\u00faense as pel\u00edculas The Bad Guys e Forgotten Island, ambas de Dreamworks, onde traballa na actualidade.Creceu en Seattle, Washington, e actualmente &hellip; <a href=\"https:\/\/antelaeditorial.com\/index.php\/2026\/09\/27\/travis-chen\/\">Continuar<\/a><\/p>\n","protected":false},"author":1,"featured_media":3284,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"kt_blocks_editor_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[27,1],"tags":[],"class_list":["post-3282","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-autores","category-uncategorized"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/antelaeditorial.com\/wp-content\/uploads\/2026\/09\/headshot.png?fit=1000%2C1000&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts\/3282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/comments?post=3282"}],"version-history":[{"count":1,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts\/3282\/revisions"}],"predecessor-version":[{"id":3283,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts\/3282\/revisions\/3283"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/media\/3284"}],"wp:attachment":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/media?parent=3282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/categories?post=3282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/tags?post=3282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}