{"id":3010,"date":"2026-04-21T15:09:30","date_gmt":"2026-04-21T14:09:30","guid":{"rendered":"https:\/\/antelaeditorial.com\/?p=3010"},"modified":"2026-04-21T15:09:33","modified_gmt":"2026-04-21T14:09:33","slug":"olaia-sendon","status":"publish","type":"post","link":"https:\/\/antelaeditorial.com\/index.php\/2026\/04\/21\/olaia-sendon\/","title":{"rendered":"Olaia Send\u00f3n"},"content":{"rendered":"\n<p>(Ourense, 1978) \u00e9 unha creadora galega multidisciplinar, autora e artista visual. Profesora na Escola de Imaxe e Son da Coru\u00f1a, combina literatura, ilustraci\u00f3n e proxectos audiovisuais.<\/p>\n\n\n\n<p>Como escritora, crea obras para p\u00fablicos infant\u00eds, xuven\u00eds e adulto. \u00c9 autora de&nbsp; A crebeira Marabillas (2021), A fot\u00f3grafa Perpetua (2023), Nave (2024), O pirata Bruno (2025),A Casa Grande (2025) Tras da mirada de Jos\u00e9 Su\u00e1rez (2026), Buscaletras (2026),e Al\u00e9n e o drag\u00f3n (2026), ga\u00f1ador do II Certame Literario de Novela Infantil Jaime Olmedo Limeses.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Ourense, 1978) \u00e9 unha creadora galega multidisciplinar, autora e artista visual. Profesora na Escola de Imaxe e Son da Coru\u00f1a, combina literatura, ilustraci\u00f3n e proxectos audiovisuais. Como escritora, crea obras para p\u00fablicos infant\u00eds, xuven\u00eds e adulto. \u00c9 autora de&nbsp; A &hellip; <a href=\"https:\/\/antelaeditorial.com\/index.php\/2026\/04\/21\/olaia-sendon\/\">Continuar<\/a><\/p>\n","protected":false},"author":1,"featured_media":3011,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"kt_blocks_editor_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-3010","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-autores"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/antelaeditorial.com\/wp-content\/uploads\/2026\/04\/aldan1-scaled.jpg?fit=2388%2C2560&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts\/3010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/comments?post=3010"}],"version-history":[{"count":1,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts\/3010\/revisions"}],"predecessor-version":[{"id":3012,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts\/3010\/revisions\/3012"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/media\/3011"}],"wp:attachment":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/media?parent=3010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/categories?post=3010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/tags?post=3010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}