{"id":2970,"date":"2026-03-08T22:05:11","date_gmt":"2026-03-08T21:05:11","guid":{"rendered":"https:\/\/antelaeditorial.com\/?p=2970"},"modified":"2026-03-08T22:05:18","modified_gmt":"2026-03-08T21:05:18","slug":"david-brana","status":"publish","type":"post","link":"https:\/\/antelaeditorial.com\/index.php\/2026\/03\/08\/david-brana\/","title":{"rendered":"David Bra\u00f1a"},"content":{"rendered":"\n<p>David Bra\u00f1a (Barcelona, 1973). A s\u00faa afici\u00f3n polos c\u00f3mics venlle de neno. Co paso do tempo, esa afici\u00f3n sumou a de escribir, e iso levoulle a ser guionista. Guionizou un gran n\u00famero de historietas cortas en revistas e antolox\u00edas, coordinando algunhas delas; e c\u00f3mics de maior extensi\u00f3n en distintos mercados (Espa\u00f1a, EUA, Reino Unido, Francia) como como DOS, Evil War, Mercury, Los ocultos, Mil Lobos, Vivar, Madeja, Lady Enigma, C\u00f3rtex, Monte Arruit, Pax Anza, La Batalla de Rande, Lady Enigma, Tamia y las memorias del drag\u00f3n, Dugan, Good Bastard, El Azote, Spinal Cord, A Bocajarro, Tormo.<br>Na actualidade reside en Vigo, onde prepara novos proxectos. Que pronto ver\u00e1n a luz<\/p>\n","protected":false},"excerpt":{"rendered":"<p>David Bra\u00f1a (Barcelona, 1973). A s\u00faa afici\u00f3n polos c\u00f3mics venlle de neno. Co paso do tempo, esa afici\u00f3n sumou a de escribir, e iso levoulle a ser guionista. Guionizou un gran n\u00famero de historietas cortas en revistas e antolox\u00edas, coordinando &hellip; <a href=\"https:\/\/antelaeditorial.com\/index.php\/2026\/03\/08\/david-brana\/\">Continuar<\/a><\/p>\n","protected":false},"author":1,"featured_media":2966,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"kt_blocks_editor_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[27,25],"tags":[],"class_list":["post-2970","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-autores","category-blog"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/antelaeditorial.com\/wp-content\/uploads\/2026\/03\/Foto_DavidBrana-1.jpeg?fit=1500%2C2000&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts\/2970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/comments?post=2970"}],"version-history":[{"count":1,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts\/2970\/revisions"}],"predecessor-version":[{"id":2971,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts\/2970\/revisions\/2971"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/media\/2966"}],"wp:attachment":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/media?parent=2970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/categories?post=2970"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/tags?post=2970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}