{"id":2962,"date":"2026-03-08T22:00:55","date_gmt":"2026-03-08T21:00:55","guid":{"rendered":"https:\/\/antelaeditorial.com\/?p=2962"},"modified":"2026-03-08T22:02:49","modified_gmt":"2026-03-08T21:02:49","slug":"angela-curro","status":"publish","type":"post","link":"https:\/\/antelaeditorial.com\/index.php\/2026\/03\/08\/angela-curro\/","title":{"rendered":"\u00c1ngela Curro"},"content":{"rendered":"\n<p>\u00c1ngela Curro (Vilagarc\u00eda de Arousa, 1985) Moa\u00f1esa desde os 3 anos, de pequena os seus  pais l\u00edanlle c\u00f3mics e descubr\u00edu que pod\u00eda facelos ela tam\u00e9n.<br>Na parte de formaci\u00f3n, cursou un Ciclo Superior de Ilustraci\u00f3n na Escola de Arte Antonio Fa\u00edlde en Ourense e posteriormente, a Licenciatura en Belas Artes na Universidade de Vigo.<br>En 2022 publicou con Demo Editorial o c\u00f3mic \u201cBaixo o pantano\u201d; en 2024 o c\u00f3mic \u201cLa gota de sangre\u201d adaptaci\u00f3n da novela de Emilia Pardo Baz\u00e1n, con Grafito Editorial, gui\u00f3n de  Ricardo V\u00edlbor e cor de Alicia Soria; e, en 2025, \u201cO nobelo de Nenuca\u201d, \u00e1lbum ilustrado con texto de Irene Alonso Gasalla, da man da editorial Cuarto de Inverno; e, agora tam\u00e9n, este que tes nas mans.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c1ngela Curro (Vilagarc\u00eda de Arousa, 1985) Moa\u00f1esa desde os 3 anos, de pequena os seus pais l\u00edanlle c\u00f3mics e descubr\u00edu que pod\u00eda facelos ela tam\u00e9n.Na parte de formaci\u00f3n, cursou un Ciclo Superior de Ilustraci\u00f3n na Escola de Arte Antonio Fa\u00edlde &hellip; <a href=\"https:\/\/antelaeditorial.com\/index.php\/2026\/03\/08\/angela-curro\/\">Continuar<\/a><\/p>\n","protected":false},"author":1,"featured_media":2965,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"kt_blocks_editor_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-2962","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-autores"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/antelaeditorial.com\/wp-content\/uploads\/2026\/03\/Angela-scaled.jpg?fit=1679%2C2560&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts\/2962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/comments?post=2962"}],"version-history":[{"count":2,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts\/2962\/revisions"}],"predecessor-version":[{"id":2969,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts\/2962\/revisions\/2969"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/media\/2965"}],"wp:attachment":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/media?parent=2962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/categories?post=2962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/tags?post=2962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}