{"id":1331,"date":"2021-09-20T19:48:46","date_gmt":"2021-09-20T18:48:46","guid":{"rendered":"https:\/\/antelaeditorial.com\/?p=1331"},"modified":"2021-09-26T21:10:25","modified_gmt":"2021-09-26T20:10:25","slug":"tania-martins","status":"publish","type":"post","link":"https:\/\/antelaeditorial.com\/index.php\/2021\/09\/20\/tania-martins\/","title":{"rendered":"Tania Martins"},"content":{"rendered":"\n<p>Tania Martins (Vigo, 1990). Ilustradora e acuarelista.\u00a0Formouse no \u201cGaraxe Herm\u00e9tico\u201d, a<br>Escola profesional de Banda Dese\u00f1ada e Ilustraci\u00f3n de Pontevedra. Neste per\u00edodo, participa en<br>varias exposici\u00f3ns e en dous libros de historietas da Colecci\u00f3n Cornelius: \u201cA Vila dos<br>Debuxantes do Norte\u201d e \u201c221 BD\u201d. Actualmente, colabora como debuxante de c\u00f3mic cunha<br>revista de turismo da cidade de Vigo e compaxina a s\u00faa actividade de ilustradora coa de<br>acuarelista, creando obra propia ou encargos personalizados.<\/p>\n\n\n\n<p>Con Antela Editorial ilustra a historia do xigante de Allariz, Monchi\u00f1o de Magarelos.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tania Martins (Vigo, 1990). Ilustradora e acuarelista.\u00a0Formouse no \u201cGaraxe Herm\u00e9tico\u201d, aEscola profesional de Banda Dese\u00f1ada e Ilustraci\u00f3n de Pontevedra. Neste per\u00edodo, participa envarias exposici\u00f3ns e en dous libros de historietas da Colecci\u00f3n Cornelius: \u201cA Vila dosDebuxantes do Norte\u201d e \u201c221 &hellip; <a href=\"https:\/\/antelaeditorial.com\/index.php\/2021\/09\/20\/tania-martins\/\">Continuar<\/a><\/p>\n","protected":false},"author":1,"featured_media":1332,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"kt_blocks_editor_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-1331","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-autores"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/antelaeditorial.com\/wp-content\/uploads\/2021\/09\/20210920174544_IMG_1503-rotated.jpg?fit=1280%2C1920&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts\/1331","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/comments?post=1331"}],"version-history":[{"count":2,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts\/1331\/revisions"}],"predecessor-version":[{"id":1334,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/posts\/1331\/revisions\/1334"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/media\/1332"}],"wp:attachment":[{"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/media?parent=1331"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/categories?post=1331"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/antelaeditorial.com\/index.php\/wp-json\/wp\/v2\/tags?post=1331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}